A glimpse into the extraordinary story behind the award-winning Seattle photographer, blogger, creator and influencer, how she and her family celebrate Juneteenth, and the empowering music that defines her.
Recently awarded “Best of 2024” as a Lifestyle Influencer by South Sound Magazine, the amazing Tash shares her story on her platforms to elevate and uplift her people. Her hope is for others to see themselves in a part of her. Whether it’s her gorgeous family, the story of her upbringing, the stunning photography that she and her husband Ike create together, how she stands in her ardent faith or in the boldness of her womanhood as a proud Black, Haitian-American professional, Tash does what she does and shares what she shares of herself in hopes that others might grab hold of their own story and make it whatever they want it to be. Our recent interview with her on the Ascent Radio Podcast was utterly transformative, as she gave us a glimpse into her heart and her story, what Juneteenth means to her and her family (and how they celebrate), as well as all of the beautifully inspiring music that has shaped her on her journey! Telling Her Own Story: Her First CameraLike any other millennial with a pulse, the timeless vibes of Toto’s “Africa” take Tash back to the warm days of childhood.
From a very young age, Tash developed a deep fondness for photo albums. She was endlessly drawn to them, spending hours upon hours carefully thumbing through the family photo albums in the living room of her home. But there were no pictures of her. Tash realized in those formative years that there was no one responsible for capturing her story. And with dreams and imagination for herself one day being a mother, and a deep desire for her children to be able to look back over her childhood and see the snapshots of her life, she came to terms with the fact that if her story was going to be told, it was all up to her. She would need to take her own pictures. When she was twelve years old, she received the Christmas gift that would change her life: her first camera. This precious gift, which came to her from Treehouse, the beautiful Seattle nonprofit dedicated to youth in foster care, gave her wings to soar. It set a trajectory for her life that would allow for her to rise to the heights she’s ascended to today. But family photographs weren’t the only space in which Tash didn’t feel like she belonged growing up. Destiny’s Child and the Music that Spoke for HerTash’s first concert was a banger: Janet Jackson’s, “That’s The Way Love Goes,” tour in ‘96! All hail Queen Janet! Or Ms. Jackson, if you’re nasty…
It didn’t represent her. That is, until she would find her way to TLC… and Aaliyah… and - especially for her - Beyonce and Destiny’s Child. It was a revelation. For the first time, Tash was hearing songs made by young, Black women, for young, Black women, to amplify young, Black women. For the first time, Tash was feeling empowered by music written by her peers. As if they were growing up together. And it gave her a voice. A space. A place where she belonged. A place where she could believe. And the courage to claim for herself the life that was rightfully hers to have.
Anthems to speak over one another. All the time. And, for Tash, these Queen Bey anthems have helped inform and empower the legacy that she and Ike are building - the inheritance they will pass along to their daughters. Juneteenth and Legacy“We’re the heroes of today. The things we’re doing now are the things people are going to talk about later… It’s super important for us to show up and do our part.” - Tash Haynes.
Discussing liberation. How blessed they are to live the life that they live. And how so many of the things they get to do and experience in their lives are not just for them; they’re also for those who came before them who didn’t get to. Ike and Tash stress with the girls, “...this is why it’s so important for us to live such full and liberated, free lives - on purpose.” They’re standing on the shoulders of heroes.
What Tash celebrates about her ancestors is that they were able to, “take the scraps and turn them into something so wholesome, something so good and so filling.” They turned them into soul food. Juneteenth and Songs of Black LiberationSoul food and Juneteenth are about liberation. And on her platform, Tash highlights for others the importance and significance of these sacred traditions as a part of her Juneteenth celebration. She elevates the heroes, identifies who they are and shares their stories. She gives voice as to why it’s so imperative for her and her loved ones to “show up, strong and bold.”
Tash has picked up the torch for her people today, and is carrying the story forward, shining her own light, with her daughters alongside. Another favorite rally cry for Tash that embodies the spirit is, “Turntables” by Janelle Monae. Similar to Common and John legend, in the rousing, modern-era Civil Rights protest anthem, Janelle dives into the history of the community, exploring Black power and what Black folks have overcome, while also proclaiming what they will no longer stand for. Enough is enough, and Janelle has given everybody fair warning: “The tables ‘bout to turn.”
“Pretty brown skin Pretty light skin Pretty dark skin I see African written in you DNA Hello choco melanin From the motherland With your black skin Never should you want it any other way.” In the same way Tash reflects on the impact Beyonce’s music has made on her story coming up, songs like this take her back to herself as “that little black girl who was looking on the radio for a song that was about me.” Growing up, she just didn’t have these songs. She didn’t get these messages. Her joy is inexpressible seeing her daughters “...embrace this music, and love it and scream it and shout it and find their confidence in it...” But it’s for her, too. “I get to align with them. To share the moment, To share the music with them; embracing it and Calling it forth for myself.” (Tash) That is liberation. That is the power of music. The Civil Rights Trail: Songs and StorytellingBecause of the profound impact music has had on her life and story, it has also become an integral piece in Tash’s storytelling on her platforms. In so many of the projects she works on she has to communicate a certain message, feeling, or idea. And she may not always have the words!
She took people into the various locations - such as the Civil Rights Museum at the Lorraine Hotel in Memphis and the Edmund Pettus Bridge in Selma - chronicling her experience on a road trip across the American South. In between stops, she was teaching in her Instagram stories, drawing upon the power of music from the Civil Rights era in the 50s and 60s and across the decades, to help tell the stories and convey the emotion she was experiencing. The music created the perfect soundtrack. Many of the stories were right there in the lyrics, the songs themselves functioning like paid actors accompanying her commentary, helping set the tone, the feeling, and all the emotion that was coursing through her. On one particular drive, from Birmingham to Selma, they were driving Sundown roads. And as “Freedom Highway” by the Staple Singers played, Tash marveled at what folks did to organize back then. No social media, no cell phones, and yet, able to mobilize people by the thousands to show up in cities all across the American south. An absolute miracle.
Yet here she was, standing in his footsteps, realizing the man had his whole life ahead. That he should even still be alive to this day. How Will We Show Up?Life is full of choices. For Tash, it all comes down to deciding how we want to show up in the world, setting our minds on that vision, and making the necessary choices on the daily - no matter how many people don’t see us, no matter who discounts us, no matter how high the cards are stacked against us - to be the person we want to be. To fight for the kind of world we want to live in. To gaze backwards at the shoulders upon which we stand, and sideways toward the hands we hold today, and to step boldly forward upon the path that lies ahead toward the life we will make together. Selma is now.
And a momma raising up three beautiful young ladies who see her, on the daily - and in the pictures she has taken of herself since the day she saw and believed and claimed her future as a young girl herself - telling her story for the world: It’s Tash Haynes. I’m that girl. I belong. I level up. Like my people before me, I take the scraps of life and turn them into soul food for the masses. This is my legacy. And I’m here so that you may believe. So that you might hope into existence the life that you deserve. The best life for you and yours. For More With Tash...To hear our interview with Tash in its entirety on the Ascent Radio Podcast - including clips of the music and her thoughts on all the songs we’ve highlighted from her story (and more!) - click here to locate the podcast on your preferred provider, or listen directly in the Ascent Radio app - available for free(!) in both the Apple and Google Play stores.
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AuthorJonathan Bristow - Ascent Creator & Director. Jonathan is a queer, recovering pastor, dreamer, lover, and amplifier in the middle of the mess. Stepping into a lifelong dream in 2021, he created Ascent Radio to offer music lovers a handcrafted radio platform at the intersection of great music and social change. Jonathan lives and breathes music, and believes fiercely in the power of music to draw us together and inspire us toward a better world!
Alongside his work as the Creator and Director for Ascent, he is a freelance writer, and is author of the blog, Finding Jonathan, where he reflects on his journey of simultaneously losing and finding himself all at once, living through trauma, and learning to love and embrace who he is. As a sayer of the words, Jonathan writes content for socially conscious brands, artists and industry professionals. To connect with him about writing on a project that needs the perfect words, connect with him over on his LinkedIn profile, or email at: [email protected]! Archives
July 2024
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